As many of you know, my understanding of the world is deeply influenced by Dr. David R. Hawkins’ Map of Consciousness. This profound framework illuminates the varying energetic frequencies of human consciousness, ranging from shame at the lowest end to enlightenment at the highest. It’s a lens through which I analyze not only personal growth but also the cultural influences that shape our lives, including the music we consume.

Recently, a rather… unique musical event sparked an interesting contemplation for me. The comedic metal band Psychostick, known for their humorous and often absurd lyrics, covered Pantera’s aggressive anthem “Bodies Hit the Floor.” However, in Psychostick’s rendition, the intense lyrics were replaced with the simple, repetitive phrase: “I can only count to four.”

Now, on the surface, this might seem like a nonsensical downgrade. Pantera’s original track, with its raw energy and violent imagery, exists in a darker realm of consciousness. Let’s look at the lyrics:

Pantera – “Bodies Hit the Floor” (Original Chorus)

Bodies hit the floor

Juxtapose this with Psychostick’s interpretation:

Psychostick – “I Can Only Count to Four” (Chorus)

I can only count to four

One might initially recoil at the perceived simplicity, even idiocy, of Psychostick’s version. However, applying the principles of Dr. Hawkins’ scale reveals a surprising truth. The original Pantera lyrics, steeped in aggression and a focus on physical violence, likely calibrate at a lower level of consciousness, perhaps somewhere in the realm of Anger (150) or even Desire (125), driven by intense emotion and craving for conflict.

Psychostick’s rendition, on the other hand, through its sheer absurdity and the removal of any harmful or negative message, paradoxically elevates the energetic frequency. The repetitive, almost childlike phrase “I can only count to four” is devoid of malice, aggression, or negativity. It embraces a certain level of Acceptance (350), simply stating a limitation without judgment or resistance. There’s even a subtle hint of Humor, which itself calibrates at a higher level, often residing within the realm of Reason (400).

This brings me to my son. Like many young people, he enjoys a variety of music, and yes, he has listened to “I Can Only Count to Four.” Initially, a part of me, aware of the song’s origin, might have felt a moment of parental concern. However, when viewed through the lens of Dr. Hawkins’ work, I can accept his enjoyment. The message he is internalizing – or rather, the lack of a negative message – calibrates at a higher level of consciousness than the original song’s violent themes.

This isn’t to say that all simple or humorous content is inherently enlightened. Context and underlying intention always matter. However, it highlights a crucial point: what we feed our minds has a profound impact on our state of being. Constant exposure to negativity, aggression, and fear can lower our own energetic frequency, influencing our thoughts, emotions, and actions. Conversely, embracing messages of acceptance, humor, and love can elevate our consciousness and foster a more positive and fulfilling life.

So, while “I can only count to four” might not be the pinnacle of artistic achievement, its surprising calibration on the Map of Consciousness serves as a powerful reminder to be mindful of the energetic vibrations of the information we consume and to appreciate the subtle ways in which even the seemingly mundane can offer a path towards a higher state of being.

For concerned parents, you can ask my chatbot on this site for likely calibrations, however it is worth going to https://consciousnesscalibrations.com/ to get a more accurate HUMAN reading on something.  Eventually, I forsee a day when a network of calibrators work with Google and the Social Networks to give people access to human-calibrations for businesses, books, movies, or anything else.

#ICanOnlyCountToFive – Be one step ahead by putting good things in your mind, and trying to influence your kids when you can, even if you’re still compromising.